December 1, 2009

Summit’s “Twilight” Dilemma

They will likely have to cut a few big checks if they decided, as rumored, to split Stephenie Meyer’s final “Twilight” novel, “Breaking Dawn,” into two pictures. Sources said Summit has set Melissa Rosenberg — who wrote the first three films — to finish the series, but Summit has to clear several hurdles before Rosenberg learns how many more scripts she’ll write.

One of those hurdles is figuring out whether “New Moon” director Chris Weitz will respond favorably to overtures from the film company and the cast to shoot two more films, back to back.

Summit execs would not comment, but multiple sources said the company wants to go the two-film route, which means reopening negotiations and securing approval from the author. It also means making new deals with a principal cast that is only locked up for four films. If “Breaking Dawn” becomes two pictures, all of the key cast members will get fat raises, and the three principals — Robert Pattinson, Kristen Stewart and Taylor Lautner — could land paydays in the eight-figure range.

That’s what happened with key cast members when Warner Bros. extended its blockbuster “Harry Potter” franchise by turning J.K. Rowling’s last book, “Harry Potter and the Deathly Hallows,” into two films that will be released in November 2010 and July 2011. The global success of the franchise made the paydays worthwhile.

While the solution to most of Summit’s challenges will be determined by its willingness to open its wallet, the prospect of a Weitz return is more complicated.

After feeling violated by New Line’s altering of his pic “The Golden Compass,” Weitz said he felt redeemed and reinvigorated by the success of “New Moon.” Yet, just before the film’s release, Weitz was steadfast that he would next direct “The Gardener,” a comparatively tiny film scripted by Eric Eason, with Paul Witt and Christian McLaughlin producing. At the time, he said Summit was in discussions to fund that film.

Summit hasn’t closed a deal for “The Gardener,” probably because the film company wants Weitz to postpone it and work on “Breaking Dawn” instead. Can Weitz resist the chance to finish a global franchise he helped build, even though it will mean more time away from his family for a long shoot? That’s the question the helmer and his reps will weigh shortly. Though Summit hasn’t officially made Weitz an offer, sources said the job is his if he wants it. After bringing in “New Moon” at around $50 million and keeping the cast happy, he’s the logical choice.

David Slade directed the next installment in the “Twilight” series, “Eclipse,” which bows June 20.

The two-week $481 million worldwide gross of “New Moon” has vaulted Summit Entertainment into the big leagues, but it also has created a high-class challenge for toppers Rob Friedman and Patrick Wachsberger.

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Knowing this stuff about the issues people seem to be having with this movie is really grating on my nerves, they need to etch it in stone. I’m sure after all the money New Moon and Eclipse are going to pull in Breaking Dawn should have a mass amount of money for it to be filmed properly. Criminy.

December 1, 2009

New Images Of Kristen in “Welcome to the Rileys”

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Kristen’s in movies out the wahzoo! It’s crazy . .  they all look great though.

December 1, 2009

Full New Moon London Press Conference

November 30, 2009

Twi-Cast’s ONE Campaign

November 30, 2009

Sims Game Parody of New Moon

 

November 30, 2009

Stephenie Meyer and Michael Sheen on With Ryan Seacrest

November 30, 2009

ACED Magazine Interview with Alex and Kiowa

Recently I was able to sit down with two of the werewolves from The Twilight Saga: New Moon, Alex Meraz and Kiowa Gordon.  Both are new to acting on the big screen, but you wouldn’t know it, as their performances are first-rate.

Alex, of the Purepecha First Nation of Michoacan, Mexico was born and raised in Mesa, Arizona.  A graduate of the New School for the Arts, Meraz has since developed as a multi-faceted performer and artist.  He has competed in the world of mixed martial arts, and has won numerous tournaments in Karate and Capoeira. Alex plays Paul in New Moon, a werewolf and stalwart member of the tribe.

Alex_Meraz_KiowaGordon_newmoon2Kiowa was born in Berlin, Germany, and at the age of one moved to McLean, Virginia where his father worked for the government.  When he turned two his family moved to Northern Arizona to the Hualapai reservation, where he learned the ways of his native American culture.  He later attended Mountain View High School in Mesa, Arizona.  He won the role of Embry at an audition in Phoenix.

Outwardly friendly and inwardly sincere, the two actors were open to anything I could throw at them.

How did you get into acting and land the roles in New Moon?

Alex:  I have always had an interest in film, and all its different components.  There are so many different layers to a good film, and I always wanted to do it and try it out.  I got a great role in Twilight.  I mean, that is a great launching pad for a new career. 

Kiowa: What can I say, this is a great way to start an acting career.  The movie is going to be great all the way.

The two of you play werewolves in the film, but most of the time you are shirtless. How did you buff up for the roles of Paul and Embry?

Kiowa:  As for buffing up for the role, the studio hired us a trainer. He had worked on the film 300, so he knew how to jack up people.

Alex: I do karate and wrestling so I was already in shape, but I had to gain weight back and get beefed up again. I have a hate relationship with food and lifting weights, but it was all worth it.

Some directors can be tough on a cast.  What was it like working with Chris Weitz?

Alex: The director was great!  In a big budget film like this there are a lot of things going on all at once, and he was able to spread things out so evenly that you did not feel any pressure.  He is a very soft-spoken man.  He was a man of few words, and in acting you really don’t want someone to explain too much to you in words because it takes away from what you are doing.  He kept it simple.  We had a really great working relationship.

Kiowa: He is the first director I have ever worked with, and it was great to get to work with someone so great.

When you work with computer generated images (CGI) as they have to do to bring the werewolves to life, you really don’t see the results of their work until you see the completed film.  What was it like working with CGI?

Alex: Working with so much CGI really worried me.  We know with big-budget films there is always lots of CG going on, so the actors can be treated like objects you know … like stand here and don’t move … and everything else happens around you, and you don’t really know what you are doing.  But, Chris brought in an amazing special effects team that he worked with on Golden Compass, so it was really incredible, and an organically involved process.  I have a transformation scene where I try to kill Kristen’s character, and I get into a fight with Taylor’s character. They showed me a composite of what it was going to look like on the laptop so I could imagine it — it gave me really good references.”

Kiowa:  Well in the actual making of the scene he just kind of huffs and puffs and then jumps out of the scene, and we are working with a cardboard cut out of a wolf, and we have to pretend it is this big ferocious beast.

Alex: Kristen had a really hard time feeling it because it is just a big cardboard thing with two guys holding it.  It was kind of difficult for some of the actors to feel it.  That is the beauty of a film like that. It is so involved and you have to use a lot of your imagination.  The end product was incredible.

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November 30, 2009

Rachelle Lefevre in Flare

 

November 30, 2009

Nikki Reed on Alexa Chung

November 30, 2009

Kellan Lutz to Star in ‘Cedars of Lebanon’

He’s been in the Emmy-winning seriesGeneration Killthe Twilight saga, and nowKellan Lutz will appear in Cedars of Lebanon.

According to The Wrap, Lutz has just recently signed on for the film – which will mark the directorial debut of Bradley Gregg – as one “of two brothers who are largely abandoned by their father and forced to grow up by themselves.” Cinema Blend is referring to the film as a “family drama.”

Gregg’s company, Eventide Fields, is recounting the storyline as follows:

“Cedars of Lebanon” is a bittersweet tale of redemption, the story of Barry Deutchman’s ride upon the wave of his narcissistic father’s abandonment. Growing up in the San Fernando Valley during the 70’s, this latch key kid struggles to thrive and grow where he is planted…atop very shallow roots. Forced to take care of his desperate single mother and angry younger brother…all while trying to heal his own wounded heart…he hits one brick wall after another. The story unfolds as Barry matures from boy to man. A self-medicating actor…with a young wife and kids of his own to nurture…he blindly sets off down the universal road of unbroken cycles. The reality portrayed in this cross-generational, character driven drama explores the progression and consequences of dysfunction in one American family. After a compassionate intervention and Barry’s own crisis of faith, he ultimately rises again…the cycle is broken and selfless love prevails.

A script sample from the picture is available here.

 

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